One of my New Year’s resolutions is to better utilize the lengthy commute to my job by the Los Angeles airport. Another is to read more in 2014 than in 2013. Another is to be more budget conscious. Multi-tasker that I am, I decided to combine all of these resolutions together in the form of library audio books.
So I went to the Los Feliz Public Library and was embarrassed to discover that my old library card had gone inactive and I needed to fill out a new form. My first selection with my new card was War Dances by Sherman Alexie.I have read a number of Alexie’s stories and poems in magazines over the years, but hadn’t yet read one of his books.
War Dances is a combo platter of short stories, flash fiction, and essayistic vignettes. I was quite moved by Alexie’s ability to weave hardscrabble stories with complex themes and layered mythologies while still managing to shape the stories in a way that made it seem like your literate uncle was sitting down next to you and sharing a story from his life. Alexie’s voice was hypnotic for my commute that week, and I instantly became aware of poetic threads throughout his work::
- Bookend poems that help frame the collection
- Odes to mix tapes, sweethearts, and pay phones
- Imbedded poems within stories
What strikes me most, however, is that there is little difference between the poetry and the prose. The poems have the same accessibility and humor of Alexie’s prose, and the prose contains aspects of what might be considered narrative poetry. For example, I’m not sure I’ve encountered a prose writer who so effectively and continuously utilizes repetition. Nouns are repeated throughout the book in a singsong flurry, mostly in groups of threes. In the story Invisible Dog on a Leash, the protagonist states: “Isn’t it cool to live in Bigfoot country? In the heart of Bigfoot country? In the heart of the heart of Big foot country?”
There are also multiple examples of meditations on things, that remind me of object poems, from the bat in Breaking and Entering, to the owl in Bird Watching at Night, to the cockroach in War Dances. There are also a few times where Alexie provides clinical or dictionary definitions of certain words, then use the word in a metaphor or analogy. In The Ballad of Paul Nonetheless, the protagonist defines “microlender” in the context of a woman he is interested in, then later uses it in a different context to define his relationship with his daughter.
Even though I occasionally become annoyed when it felt like the author’s voice intruded into the stories, I happily listened to War Dances twice. I’m pretty sure that the fiction writer and poet inside of me won’t have to get into a fistfight for me to select another book of Alexie’s for a future week of commutes.