Guest Post by Stacia M. Fleegal
A few years ago, I decided to up my good writer karma by writing more book reviews.
I’ve been editor of Blood Lotus for eight years now, and for the past two years, a blogger on regional poetry through the newspaper where I work, and I can say beyond any doubt that one of the greatest perks of (often unpaid) literary work is the community you become part of – a community you otherwise would know nothing about.
At the end of the TV show “Sex and the City”—this is related, trust me—Carrie looks at her three best friends and, instead of saying goodbye, asks, “What if I had never met you?” And the camera pans all of their faces as they convincingly fall apart, are devastated, by the weight of that question.
I look at my bookshelves and wonder the same thing sometimes. How many of these books would never have moved me if I only gave my time and energy to something when I was being paid? God, who would I even BE right now?
Maybe, though, my motivation for writing book reviews is different than others’.
Certainly, I’m not an academic. I’m not dissecting literature through this or that trendy critical lens.
When I decide to tell someone about a book, it’s because I loved it, or things about it, sentences or cadences or certain narratives that I believe deserve a larger audience.
It’s because, and laugh or roll your eyes if you want, the book has become a friend.
I’m not trying to change the literary landscape with a review. I’m not trying to impose my tastes onto the reading world.
And I’m not trying to talk shit on other writers.
Good reviews versus bad reviews – I don’t want to live in a world where there’s only one or the other, believe me. No one likes a sycophant. So much has been written on this topic, too. For my part, I’m sticking to the personal. The way I see it, a book review should do one or more of the following: 1) inform, 2) recommend, 3) highlight key literary device(s), and/or 4) frame the work in the larger context of literature.
If you like a book that you’re reviewing, you are informing a reader about the book (where to buy, a little about the author, etc.), recommending the book to others, demonstrating that you can intelligently discuss what you like about the book so the reader trusts your opinion, and perhaps making a statement about where that book fits into the canon of books out there to consume.
By these standards, if your review has nothing nice to say, what are you accomplishing? You’re 1) informing the reader not to buy a book, 2) recommending against buying a book (which at this point is just redundant), 3) highlighting what’s not working, or what you don’t like, and/or 4) framing larger problems in literature.
Except…when was the last time you read a horrible, scathing review of someone’s work and thought,
wow, I really learned something about literature today? If you know the author, do you think, wow, I change my mind about previous work by that person that I’ve read and thought I enjoyed? If you don’t know the author, do you really decide to never read anything by her/him again?
The exception, in my opinion, is when a reviewer takes on a classic or a New York Times bestseller. If someone writes an articulate, thoughtful, seemingly agenda-free hate piece on The Catcher in the Rye or Harry Potter, that in and of itself might add to the conversation of American letters. If everyone loves something and you can make a smart argument against it, can make people think, then go for it.
But what does slamming a hand-stitched first chapbook of an unknown indie poet do for that conversation? Or for anyone? I mean, it makes you look like a jerkface, but that’s about it. I firmly believe we can learn from work we don’t enjoy reading, but do we have to do that learning in the public space of a published book review?
Look. I have, like, zero free time. I don’t want to spend hours mired in negativity to churn out a review. To me, it’s akin to spending hours letting someone bore me to death at a bar, rather than having a drink with a few close friends. I want to devote my time to promoting someone deserving of the little bit of attention I can give her/him. Wouldn’t it be a better, more karmic use of my time to write lengthy reviews of books I like? And if I must wax sarcastic or unimpressed, merely list, like a comprehensive PSA, those books I wish I’d never “met”?
I view book reviewing as arts advocacy. So I guess the real question becomes: Is it an act of advocacy to criticize—to essentially tell a reader, “don’t read [this]”?
If you aren’t advocating for the written word in a book review, why are you writing book reviews?
About the Author:
Stacia M. Fleegal is the author of Versus (BlazeVOX, 2011), Anatomy of a Shape-Shifter (WordTech, 2010), and three chapbooks, most recently antidote (Winged City Press, 2013). Her poems have recently appeared in Best of the Net 2011, Fourth River, North American Review, and Mud Luscious, have been nominated for Best of the Net 2012, three times nominated for the Pushcart Prize, and are forthcoming in Barn Owl Review, Knockout, and Crab Creek Review (2013 poetry contest honorable mention). She co-founded (in 2006) and co-edits the online literary journal Blood Lotus and runs a poetry blog called Versify for the York Daily Record/Sunday News, where she is a journalist.
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